Without meeting Harmen de Hoop and Biancoshock will give eachother assignments to make an artwork in the city where they currently are. Every work will be a reaction to the one made before by the other artist. The documentation of their interventions and actions will be shown here.
02.06.2026 BIANCOSHOCK GAVE HARMEN DE HOOP AN ASSIGNMENT: MAKE A WORK USING PICTURES /ABOUT PICTURES.
HARMEN DE HOOP: POWERLESS - DULLIKEN, 2026 From the comfort of our own homes, we witnessed the Israeli army destroying Palestinian homes in Gaza. The American government condoned it. And there was nothing we could do.
25.04.2026 HARMEN DE HOOP GAVE BIANCOSHOCK AN ASSIGNMENT: DO SOMETHING IRRATIONAL.
BIANCOSHOCK: USA E GETTA - LECCO, 2026 A disposable camera documenting a disposable economy. "Usa e getta" is the Italian expression for disposable products, literally it means "use and throw away". Biancoshock found a disposable camera produced in 2005 inside a factory abandoned in 2010. He used all the 27 exposures to document the building and then left the camera behind. Inside it remained the images of the factory: photos of abandoned objects, preserved inside an abandoned object within an abandoned place. The camera and the factory share the same condition: both were designed to be useful, both were abandoned when their uselfulness ended.
Video credit: Marcella Milani
17.04.2026 BIANCOSHOCK GAVE HARMEN DE HOOP AN ASSIGNMENT: MAKE A WORK ABOUT TIME PASSING.
HARMEN DE HOOP: THE RIGHT KEY - DULLIKEN, 2026 Trying to get in: Harmen de Hoop tried 100 different keys, but was unable to gain access.
03.03.2026 HARMEN DE HOOP GAVE BIANCOSHOCK AN ASSIGNMENT: MAKE A WORK ABOUT COMMUNICATION.
BIANCOSHOCK: THE HOURGLASS - SALICE TERME, 2026 Traffic signs communicate safety and progress. But when they remain for too long, they become lies. The hourglass transforms an operational message - we are working - into a temporal one: we are still waiting. Institutional communication no longer informs, just reassures while nothing changes. Intervention carried out in front of a construction site abandoned since 2018.
Photo credit: Marcella Milani
18.02.2026 BIANCOSHOCK GAVE HARMEN DE HOOP AN ASSIGNMENT: MAKE A WORK ABOUT A WOUND.
HARMEN DE HOOP: THE DEBATE - DULLIKEN, 2026 An ongoing debate.
16.12.2025 HARMEN DE HOOP GAVE BIANCOSHOCK AN ASSIGNMENT: MAKE A WORK USING A MODULAR STRUCTURE.
BIANCOSHOCK: WOUND - LECCO, 2026 A living wound in a dead context. No blood remains, only skeletons. An intervention within an abandoned factory, once celebrated as a center of excellence in artisanal tapestry.